Genre: Visual Artist
An interest with engaging in both the public, private and performative realms have forged an eclectic range of work. Interest has focused as of late in creating catalytic questions in public spaces yet generated from an idiosyncratic drawing practice. Among current large-scale projects are for the University of Colorado’s new Art Museum in Boulder, Snow College Library, University of Central Florida Physics, The Hoboken Ferry Terminal and the Metro system, St.Louis.
Architectural interventions in Manhattan include Metronome on Union Square, and Oculus throughout the World Trade Center / Park Place / Chambers Street Subway station.
Other projects include installations created for the Kunsthalle, Basel; Aquario Romano, Rome; The Olympic Arts Festival; The List at MIT; Public Art Fund; Wadsworth Atheneum; The New Museum; The Virginia Museum of Fine Arts; Triennale, New Delhi; Creative Time; Museo D”Arte Contemporanea, Prato; Chicago Cultural Center.
Artist’s Space, Barbara Flynn, Annina Nosei, Damon Brandt and Frederieke Taylor have presented solo exhibitions.
Permanent works reside in many locations including two New York public schools, Tampa International Airport, Kansas City International Airport’s three terminals and large public buildings in Chicago, Portland, Milwaukee, San Francisco and Philadelphia.
Performance works include commissions by The Next Wave Festival of the Brooklyn Academy of Music, David Dorfman Dance, Matthew McGuire of the Creation Company, Merce Cunningham and recently Andante was presented at the Guggenheim Museum.
I have worked collaboratively with Kristin Jones since 1983 as well on independent projects.
We were the first co-winners of the Rome Prize (1994), selected awards include: The National Endowment for the Arts in 1986 and1994, The Pollock Krasner Foundation (1994), The Louis Comfort Tiffany Foundation (1991), The Indo-American Fellowship (1990), NEA Arts in Architecture and Inter-Arts grant (1989, 1991); The Massachusetts Council on the Arts, The New York Council on the Arts and from The New York Foundation for the Arts and a “Bessie” for work with Creative Time (1986). Residencies include the Rockefeller Foundation’s Bellagio; The Ucross Foundation, The Djerassi Foundation and multiple fellowships to the MacDowell Colony and Yaddo.
In addition to visiting artist and critic at many schools and programs in the United States and abroad I have taught advanced sculpture and multi-media at the School of Visual Art in New York City since 1986.